Lastly, you can determine how much reverb you want on your track using the ‘DRY’ and ‘WET’ controls.
There is a provision to control the frequency of the reverb itself, with the ‘LOW CUT’ and ‘HIGH CUT’ knobs. You can also tweak modulation parameters of the reverb such as ‘RATE’ and ‘AMOUNT’. The interface is user-friendly and has dedicated controls for ‘SIZE: the amount of reverb’, ‘DIFFUSE’: diffusion of the reverb, and ‘DELAY’ amount under the ‘MAIN’ category. The TAL-Reverb-4 is a great tool, especially for beginners because it is easy to use and offers professional-quality reverb effects such as a vintage 80s reverb plate.
Thus adding reverb to it can give it body and a kind of depth. When we record vocal tracks in a room, like a recording studio, there is no scope for natural reverb. While this is an ideal environment because it prevents microphones from picking up any unnecessary noise, the vocal track itself does not sound great. When these reach a physical space, like a wall, they reflect and decay in amplitude till the reflections eventually die off. One of the easiest ways to add depth to a vocal track is by adding a little bit of reverb.
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